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The Synth-Pop Duo's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond at Leeds in 1977

The talented musician, a key member of the pioneering 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team scored a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a classic of synth-pop.

He later formed the innovative techno group The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball died peacefully in his sleep at his residence in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

During that performance, Ball performed in a mobility chair, as he had for the last two years, after a period of ill-health.

"I managed to damage myself significantly," he commented in a recent interview. "I fractured lower vertebrae in my spine and cracked about multiple ribs and fractured my arm."

Following contracting pneumonia and developing sepsis, he was placed in an medically-induced sleep and stayed in the hospital for seven months.

However, he had been in "a great place mentally" during the summer, as he was developing a new album with Almond, called Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the new album that we actually finished only a short time ago," stated the vocalist in a tribute.
"It's so sad as next year was completely planned to be such an positive time for him, and I take some solace from the fact that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my existence and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is different from joining a group, the bond is incredibly close," he continued.
"That's how it was with us. We went through so many remarkable, incredible, life-affirming experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was a year and a half of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his first name from Paul to his adopted name, together with his younger sister Susan, who was also adopted.

He encountered Almond at an art college in 1977, where they were both learning fine arts. Inspired by a shared love of Northern Soul, they formed Soft Cell the very year, and quickly produced an extended play.

Musical Partnership

The duo were an distinctive combination: Ball was the reserved musician, hunched over his keyboard, while Almond was a charismatic showman, all glitter and makeup; but they achieved a rare creative synergy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk perform on a television program Tomorrow's World, and started to marry dark electronica to the soaring melodies Almond was composing.

Their signature song became the UK's second most popular song of the early 80s, selling millions of copies globally. Together with hits by Gary Numan, contemporary bands and Ultravox, it helped paved the path for the electronic music style of the 80s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were developing new material right up until Ball's passing

Career Highlights

Success had its benefits. "I enjoyed being able to purchase my initial property, having financial security and exploring, which might seem like a beauty queen," Ball not long ago told with a music magazine.

But it also presented challenges. "Sudden riches allowed we could afford substances to relieve the monotony" of press appearances and television shows, Ball said.

"I know that's a cliché, but it's a truism for a valid cause, because it works for so many musicians."

Amidst the party-filled existence, the duo were also growing distant, but they managed to create a follow-up memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the charting record Cruelty Without Beauty.

After a further break, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on 30 September, 2018.

However, they stayed together, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's new album as a homage to the New York club scene they frequented while making their first two albums.

He added that his period in medical care had shaped the group's music.

"I had strange recollections when I was coming and going of the hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a digital reflection of the noises in my mind from that time.
"In parallel, it's about the experiences me and Marc got up to in the 1980s."

The last versions were completed only a short time before Ball died. It is scheduled for launch in the spring of 2026.

Written by

Lisa Erickson

A digital media enthusiast with a passion for curating viral content and entertainment trends, bringing fresh perspectives to online audiences.

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